James Bond and Chess

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"The two faces of the double clock in the shiny, domed case looked out across the chess-board like the eyes of some huge sea monster that had peered over the edge of the table to watch the game. The two faces of the chess clock showed different times."

With these words Ian Fleming opens chapter 7 of FROM RUSSIA WITH LOVE. In 1963 this novel became the second film in the perennial James Bond series.

But there's not much 0-0 in 007 -- or much chess in most chess fiction, for that matter. The book only tells us that grandmaster Kronsteen, a secret agent of the deadly SMERSH, won this game after introducing "a brilliant twist into the Meran Variation of the Queen's Gambit Declined to be debated all over Russia for weeks to come."

The position on a wallboard in the movie is based on an intruiging King's Gambit won by Boris Spassky against David Bronstein at the USSR Championship in 1960. Here it takes place at the Venice International Tournament where Kronsteen ignores a courier's sealed message ordering him to stop play on the spot. He knows he risks his life if he fails to obey, but how many players can abandon a sure win?

At his own peril Kronsteen waits three more minutes to accept his opponent's resignation; but later he must explain to his superior why he did not obey at once. In the book his excuse is accepted reluctanctly:

"To the public, Comrade General, I am a professional chess player. If, with only three minutes to go, I had received a message that my wife was being murdered outside the door of the tournament hall, I would not have raised a finger to save her. My public know that. They are dedicated to the game as myself. Tonight, if I had resigned the game and had come immediately upon receipt of that message, 5000 people would have known that it could only be on the orders of such a department as this. There would have been a storm of gossip. My future comings and goings would have been watched for clues. It would have been the end of my cover. In the interests of State Security, I waited three minutes before obeying the order. Even so, my hurried departure will be the subject of much comment."

In the real game Spassky gambled by rejecting the prudent 15 Rf2. Black in turn missed the best defense by 15...exf1/Q 16 Rxf1 Bxd6 17 Qh7 Kf8 18 cxd6 cxd6 19 Qh8 Ke7 20 Re1 Ne5 21 Qxg7 Rg8 22 Qxh6 Qb6 23 Kh1 Be6 24 dxe5 d5 25 Qf6 Kd7 and the king trips to safety with a possible draw in the offing.

Later if 17...Kxf7? (necessary is 17...Qd5 18 Bb3 Qxb3) 18 Ne5 Kg8 19 Qh7! Nxh7 20 Bc4 Kh8 21 Ng6 mate.

White: BORIS SPASSKY Black: DAVID BRONSTEIN King's Gambit 1960 1 e4 e5 2 f4 exf4 3 Nf3 d5 4 exd5 Bd6 5 Nc3 Ne7 6 d4 0-0 7 Bd3 Nd7 8 0-0 h6 9 Ne4 Nxd5 10 c4 Ne3 11 Bxe3 fxe3 12 c5 Be7 13 Bc2 Re8 14 Qd3 e2 15 Nd6!? Nf8? 16 Nxf7 exf1/Q 17 Rxf1 Bf5? 18 Qxf5 Qd7 19 Qf4 Bf6 20 N3e5 Qe7 21 Bb3 Bxe5 22 Nxe5 Kh7 23 Qe4 Black resigns

Source: Evans On Chess. June 30, 1995. From Chess Connection

From Gambit: Where was the Paul Morphy Chess Club?

WHERE WAS THE PAUL MORPHY CHESS CLUB?

Blake Pontchartrain

Hey Blake,

Ronnie Virgets wrote a wonderful column on the history of Paul Morphy. My question is: where was the Paul Morphy Chess Club? I can remember an uncle of mine speaking of it often as a place where men met for lunch, cards and cigars.

Kenny Mayer

Dear Kenny,

Virgets' story ("Chairman of the Board," News Views, May 6, 2008) about our local chess genius who died in 1884 at age 47 was excellent.

Morphy was the first great American-born chess player. He traveled to Europe in the 1850s, defeating all challengers except the English champion of the time, Howard Staunton, who refused to play him. Morphy, however, still was hailed as the chess champion of the world.

Paul Morphy Chess Club in New Orleans had several locations, the first in the Balter Building, in the block surrounded by Commercial Place, Camp Street, and St. Charles and Poydras avenues. The last was at 316 St. Charles Ave.

The club was organized in May 1928, when several chess-playing gentlemen agreed to form a new club devoted exclusively to the game. Members were solicited, and the club soon had officers and a charter. New members decided to name the club after the local chess master they so revered. The club opened its doors to members for play on June 22, 1928, Paul Morphy's birthday. There is no longer a chess club by this name in New Orleans, but there are several in America, and there's even a Paul Morphy Chess Club in Sri Lanka.

An earlier group called New Orleans Chess Club was founded in 1841, but it languished due to lack of interest. Later, many New Orleanians became interested in the game when young Paul Morphy burst on the scene. By the mid-1850s, the club sponsored weekly tournaments and membership increased rapidly. Morphy himself was elected president of the club in 1865. Earlier, when Morphy went to Europe in June 1858, the New Orleans Chess Club offered to pay his way. Morphy declined because he did not want to be considered a professional chess player.

Another famous club in the Crescent City was the New Orleans Chess, Checkers and Whist Club. This organization was founded in 1880, shortly before Morphy's death. The club first met in July in a room at 128 Gravier St. There were 27 members. It was an immediate success and membership grew rapidly. New quarters had to be found, so the group relocated to Common Street and then to a three-story building at the corner of Canal and Baronne streets.

Then disaster struck: A fire in 1890 burned the building to the ground. Lost in the fire was invaluable Morphy memorabilia. The owner of the structure agreed to rebuild, and soon the club was re-established in comfortable surroundings on the third floor. At this point, there were more than 1,100 members.

In 1920, another move brought the club to 120 Baronne St., where the men played various games in splendor. It occupied four floors in a large building, which had many rooms for games, as well as dining rooms, a billiard hall, a library and bedrooms for men who lived at the club.

It was after the death of Judge Leon Labatt - a strong supporter and member of the New Orleans Chess, Checkers and Whist Club - and a number of resignations that the members decided to form a new group: the Paul Morphy Chess Club.

Morphy retired from chess long before his death. He played absolutely no games of chess with anyone after 1869.

--

To read my chess novel about Paul Morphy's life, please see this link.

Chess Book of the Year, Part 3

Ronan Bennett & Daniel King
Tuesday October 13 2009
The Guardian

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Gligoric-Nikolic, Novi Sad 1982. Black to play. Who stands better?

RB Our third shortlisted book for the Guardian Chess Book of the Year award is Winning Chess Middlegames by Ivan Sokolov (New in Chess, GBP 24.95). Like our first shortlisted title, Chess Strategy for Club Players by Herman Grooten, Sokolov's book focuses on the middlegame, but whereas Grooten emphasises the dynamic aspects of the game, here the stress is on pawn structure. In an introduction Michael Adams makes the point that we often learn opening lines without giving serious thought to the kind of pawn structures they create.

Sokolov arranges his material into four different types of pawn structure: doubled pawns; isolated pawns; parallel hanging pawns in the centre; and pawn majority in the centre, further dividing these into subgroups. He then analyses the structures with reference to the opening. Chapter 1, for example, deals with doubled pawns arising mainly from the Nimzo. Chapter 2, on isolated pawns, looks predominantly at lines in the Queen's Gambit Declined. The essential point - but one often overlooked - is that from the opening we should be able to anticipate the structure of the middlegame.

The diagram position arose out of a Nimzo (H?bner Variation), with the characteristic doubled pawns on c3 and c4. White has tried to exploit the semi-open b-file to create threats against the enemy king. His rooks are doubled, the bishop is on b5, and the queen lurks on a3. On the other wing, Black's pawns are advancing, supported by the rooks. Who stands better?

Fritz assesses the position as roughly equal. But Sokolov is unequivocal: "A sorry sight. On the queenside White is not able to create a single threat, while on the other side of the board the battle is lost." The computer is wrong. White is dead lost. After Black's simple defensive expedient 1...Na6-b8, the game continued 2 Nf1 g4 3 f4 exf4 4 Bxf4 Ng6 5 Rf2 h4 and the pawns quickly smashed the white king's position.

--

guardian.co.uk Copyright (c) Guardian News and Media Limited. 2009

Karpov-Kasparov, KK2 16th match game, 1985

Ronan Bennett
Thursday November 13 2008
The Guardian

http://www.guardian.co.uk/sport/2008/nov/13/chess-karpov-kasparov

Karpov-Kasparov, KK2 16th match game, 1985. Black to play and win.

Four titles made it to our chess book of the year shortlist: 100 Endgames You Must Know by Jesus de la Villa; Forcing Chess Moves by Charles Hertan; From London to Elista by Evgeny Bareev and Ilya Levitov; and Modern Chess: Part 2 Kasparov vs Karpov 1975-1985 by Garry Kasparov. Once again we drafted in Guardian chess club stalwarts Sean Ingle and Stephen Moss to help with the judging.

We all admired 100 Endgames for its clarity and practical value but, in Ingle's estimation, it lacked pizzazz (which, to be fair, is asking a lot of a manual on endgames). Forcing Chess Moves, which has featured in this column several times, was also well liked, but in the end it was also considered a little too much like a workbook.

From London to Elista is definitely a book rather than a manual, and Bareev's contributions are particularly impressive. But even this fine book has to give way to our winner ? Modern Chess: Part 2. As Moss observed: "Kasparov had a monumental career and with this series of books he is creating a monument to it." Some will balk at the ?30 price, but the great games, detailed analysis, compelling narrative and the insights into the psychological and political dimension to the struggle over the board make it an outstanding contribution to chess literature.

This week's position is from the brilliant 16th match game of Kasparov and Karpov's second titanic encounter. Kasparov's play is, interestingly, more like Karpov's in that it is positional and tight. On move 16, he succeeds in planting a knight on d3, dominating Karpov's position. Move by move, Kasparov gradually restricts his great opponent, bringing him in the middlegame to virtual zugzwang, quite an achievement with so many pieces on the board. On move 34, to get rid of the terrible knight, Karpov is forced to give up his queen for three minor pieces ? not a terrible exchange in strictly material terms, except that Black now played 37...Rc1, and after 38 Nb2 Qf2 39 Nd2 Rxd1+ 40 Nxd1 Re1+ Karpov resigned because of 41 Nf1 Rxf1 42 Bxf1 Qxf1 mate.

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guardian.co.uk Copyright (c) Guardian News and Media Limited. 2009

Ronan Bennett and Daniel King on chess: how to find the best square for a threatened piece

Ronan Bennett, Daniel King
Tuesday September 15 2009
The Guardian
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We thought that with our latest relocation it was time to reintroduce ourselves and to remind readers that this is a different kind of chess column. We don't bring you the latest tournaments (the internet does that a lot better), or annotate games by the greats (better left to anthologies and magazines). Instead, we try to provide the enthusiast and the club player, those for whom chess is a hobby rather than a profession, with useful advice and exercises in the form of a "master-student" dialogue between an average player (RB) and a grandmaster (DK).

Some of the positions we look at involve fairly high levels of chess understanding, but we also like to explore the kind of things ordinary players might encounter. Today's position falls into the latter category, and kicks off a series of columns themed around the question of finding the best square for a threatened piece. So where should the queen move to?

RB This looks rash, but since the queen is out we might as well go for it: 1 Qxc5. I'm expecting either 1...Nxe4 or 1...e6.

DK If you play the queen out so early, you are either very good or very bad. It's a beginner's ploy, vainly hoping for a quick checkmate. But if your opponent has an ounce of nous, the queen will be beaten back and you will have merely lost time. Ronan decides that he may as well grab a pawn, but Black recaptures, 1?Nxe4, and attacks the queen again. If 2 Qe3, Black plays 2?d5, staking a claim in the centre, and already has the more promising position.

However, if one is very careful, it is possible to play so outlandishly. The rising American star Hikaru Nakamura has made a speciality out of this shock tactic. Instead of taking the pawn, he has tried 1 Qh4. Now it is harder for Black to push the queen around, and if he castles on the kingside, the king could come directly under fire. But perhaps one needs to have the talent of a prodigy to make this work. The old rule of developing knights and bishops before anything else should still apply to most of us.

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guardian.co.uk Copyright (c) Guardian News and Media Limited. 2009

Tribeca Film Festival: Review of "Queen to Play"!

In a world where a chess game is equivalent to a night of steamy passion, you have to be a little skeptical. In Caroline Bottaro's first feature, chess is played up to the extreme, turning the game into an excruciatingly obvious motif throughout the film.

Set in the ever-scenic French Riviera, Queen to Play tells the story of a maid, Hélene (Sandrine Bonnaire), who becomes obsessed with the idea of learning chess—and soon does, with the help of her client (Kevin Kline), a snobby retired doctor. As she spends more of her time "checkmating" the Doctor, she drifts away from her cleaning duties... and her husband. In a way, her chess-playing indulgence is like an affair—and, frankly, it could rightfully be one. According to Bottaro, her film depicts "a real romance" between the mentor and the student, and their chess matches are equivalent to love scenes.

Meanwhile, the idea of the game of chess completely engulfs Hélene's world, rendering her a one-track-minded pawn. Everything from checkered tiles to square tablecloths transforms into a chessboard in her subjectivity—and thus ours too. The problem, besides the fact that this sort of imagery is entirely too obvious and forced, is that at the film's core, it's nearly impossible to connect with this woman. Our leading lady is constantly sullen, mostly expressionless, and uncommunicative. She appears to desire her husband, but then rejects his affection and empathy. But yet, she's consistent in her rendez-vous with the doctor, who (in a pretentious "I'm Kevin Kline but playing a smart doctor who's speaking only in French hah!" kind of way) plays the part of the reluctant teacher who soon falls in love with the soft spoken working class maid in a strange condescending (and maybe metaphorical?) way.

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In fact, this marks Kline's first role performed entirely in French, which is apparently depreciating his English skills—at the Q&A after the film screened, he sometimes couldn't find words to verbalize in his native tongue.

You can basically guess how Queen to Play will conclude within the first 20 minutes of the film. You just have to sit through the next hour of hit-you-over-the-head chess metaphors and aloof characters. The film is not an unpleasant experience on the whole—it just doesn't illustrate anything extraordinarily fresh to really care about.

Recommended: Maybe, with reservations

Look out for: Chess pieces thrown in your face...so to speak

Check out Tribeca Film Festival schedule to find the next screening.

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		Chess, Film, tribeca film festival, tribeca, Matt Fullerty, Paul Morphy, The Pride and the Sorrow, F Street Review

"Queen to Play" - film review - checkmate!

Film Reviews

Queen to Play -- Film Review

By Frank Scheck, April 27, 2009 05:39 ET

Bottom Line: Some good moves, but no cinematic checkmate.

More Tribeca reviews

NEW YORK -- Chess as metaphor for life is the theme of Caroline Bottaro's French drama starring Sandrine Bonnaire as a maid who rediscovers herself thanks to her newfound love for the game and Kevin Kline as the misanthropic recluse who teaches her. While "Queen to Play" boasts an admirable dramatic subtlety and several strong performances, its overly familiar ideas and lugubrious pacing, as well as the fact that chess is not exactly the most cinematic of subjects, will make it a tough sit even for dedicated art house audiences. It recently received its world premiere at the Tribeca Film Festival.

Bonnaire plays Helene, a chambermaid at an upper-class Corsican hotel who's dealing with financial problems, a rebellious daughter and a less than ideal marriage to a handsome but not particularly sensitive blue-collar worker (Francis Renaud).

When she sees a glamorous, barely clothed couple (including Jennifer Beals in a cameo) intensely playing chess on their balcony, it stirs something within her. She promptly buys a set, but her husband proves to be an unwilling player. Spotting a board in the home of Dr. Kroger (Kline), for whom she moonlights as a cleaning person, she implores him to tutor her in its intricacies.

Kroger, who has barely spoken to her in all the time she's worked for him, initially rebuffs. But sensing her passion, he eventually agrees, and the two begin weekly sessions in which the pupil soon starts overshadowing her teacher. By the time she's allowed to participate -- in underdog "Rocky" fashion -- in a local tournament, all the principal characters have undergone life-enhancing emotional changes.

That the film works to the degree that it does is largely due to the sensitive performances. Bonnaire delivers a beautifully modulated turn, delineating Helene's liberating transformation in quietly powerful and convincing fashion. Kline, in his first entirely French-speaking role, intriguingly underplays as the mysterious Kroger, and Francis Renaud strongly conveys the husband's complicated feelings of disdain for his wife's new obsession and concern for his marriage.

Production: Mon Voison Prods
Cast: Sandrine Bonnaire, Kevin Kline, Francis Renaud, Jennifer Beals, Valerie Lagrange
Director: Caroline Bottaro
Screenwriters: Caroline Bottaro, Caroline Maly, Jeanne Le Guillou
Producers: Dominique Besnehard, Micher Feller, Amelie Latscha
Director of photography: Jean-Claude Larrieu
Editor: Tina Baz
Production designer: Emmanuel de Chavigny
Music: Nicola Piovani
No MPAA rating, 96 minutes

Queen to Play -- Film Review

By Frank Scheck, April 27, 2009 05:39 ET

Paul Morphy, Chess Player, World Champion!

Paul Morphy, Chess Player, World Champion! on Facebook

Why chess is a perfect game for fiction - KGB chess!

Stuart Evers
Friday August 28 2009
The Guardian
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The summer of 1972 is a golden one for writers seeking a tumultuous background to their fiction. Kicking off with the breaking of the Watergate scandal, continuing through "Hanoi" Jane Fonda's tour of North Vietnam and ending with the massacre at the Munich Olympics, that summer is stuffed with so many huge international events that a humble game of chess seems rather a distraction. But this was the match between Boris Spassky and Bobby Fischer - and the whole of the cold war world was watching.

The central character in David Szalay's second novel, The Innocent, however, has to content himself with listening on the radio. A former hardliner and former member of the nascent KGB, Aleksandr sets up his battered and broken chess set and moves his little chess pieces according to the increasingly tired voice calling the action from Reykjavik. It's just four pages long, this scene, but Szalay imbues it with a stillness and a tension that is taut and increasingly expressive.

The broken board, the chessmen wrapped in a newspaper reporting a decade-old east v west crisis, the frown on Aleksandr's face as he fails to spot Fischer's error: all of these images, when taken together, perfectly articulate the internal combat waging in Aleksandr's head. His faith in the great experiment is failing, yet chess is there to remind him where his allegiance lies. The section ends with a simple, yet effective, conclusion: Aleksandr is looking at the board, staring at the "silent little pieces of wood whose significant positions are tonight transfixing the world."

Even without the backdrop of political schisms and the spectre of mutually assured destruction, chess is a transfixing game in its own right - especially for writers. It has been the inspiration for countless novels, plays and pieces of short fiction, many of which are collected in a wonderful anthology called The 64-Square Looking Glass. What is it that makes chess such a consistently fascinating subject?

Chess, by its very nature, is a battle between two different thought processes; it gives the novelist the opportunity to go into the players' minds, while retaining an element of plot at the same time. This approach is brilliantly explored in Carl Haffner's Love of the Draw by Thomas Glavnic, a novel as strikingly good as its title. Here, 10 games of chess - which become ever more gripping as Haffner tries desperately to avoid losing - are the springboard to a familial history and an elegy for a disappearing Vienna. It's one of chess's finest novels, sitting comfortably alongside Nabokov's The Luzhin Defense and Paulo Maurensig's The Lüneburg Variation.

More abstractly, chess is attractive to writers as it mirrors the very act of writing itself. Planning ahead, tactics, manipulation are both part of fiction's palate as well as chess's. In both his fiction and his plays, Beckett used the imagery of the chess set, moving his characters around like lowly, articulate pawns. The conclusion of Murphy may be the finest expression of the game's intrinsic link to both art and humanity - "The ingenuity of despair" indeed.

Taking Beckett to its postmodern conclusion, Martin Amis's Money featured a chess game between the central character, the plumply odious John Self, and the spitty, roll-up smoking "Martin Amis". It's an extraordinary scene and one that despite my general loathing of his style and subject matter, I must concede is brilliantly written, controlled and executed. It's the only time where I could see what the fuss was all about, especially at the game's close when "Amis" apologises, as much for creating him as for beating Self at the board.

While Szalay's novel is far from the glitzy literary chicanery of Amis, The Innocent does, like Money, pivot around its respective chess scene. And while Self is playing his creator, Aleksandr is playing out other people's moves as well as his own personal demons. Neither are chess men, yet this is the game they play - for no other has the weight and heft to support such an important part of a novel.

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guardian.co.uk Copyright (c) Guardian News and Media Limited. 2009

Chess and the KGB novel - "an exciting and memorable read"!

Viv Groskop
Sunday August 23 2009
The Observer
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Spring 1948 and Aleksandr, a KGB major, is sent to an isolated psychiatric clinic in the Urals to investigate Anatoly Yudin. A famous pianist in the 1930s, Yudin disappeared during the Second World War and was presumed dead. Now he has resurfaced and has a strange form of amnesia. Or does he? Aleksandr suspects Yudin may be writing anti-Soviet tracts. Does Lozovsky, Yudin's doctor, know something? The story is told by Aleksandr, looking back from 1972 as he begins to see the whole of Soviet history - and the role he has himself played - in a different light.

With Aleksandr, David Szalay, winner of the Betty Trask Prize 2008 for his debut London and the South-East, has created an extraordinary character, a KGB man you can imagine knowing or even being. Aleksandr is an idealist, a "real" communist, who truly believes in the system and wants to do the right thing. Anyone who has seen the German film The Lives of Others will recognise the type: he's a cousin of Stasi Captain Gerd Wiesler, another Everyman who suddenly finds himself questioning everything he has ever believed.

This, then, is a similar situation in Soviet form. Szalay's trick is to make us feel for Aleksandr and sympathise with his dilemmas, while inserting the odd chilling clue as to what's really going on. ("Turn off his light," he says to the officer guarding a man under interrogation and we suddenly realise the conditions the prisoner has been kept in.) Aleksandr's journalist brother, Ivan, offers a foil to the ideological purity; he is prepared to take risks and sees the flaws in the system - until he becomes a beneficiary of it himself. Over the course of the book, the two brothers swap roles, with Aleksandr becoming more disillusioned and Ivan happily riding the gravy train.

The novel's focus swings dramatically between the two brothers' changing relationship and the fate of Yudin and Lozovsky, until we, like Aleksandr, are no longer sure who's in the right, who is supposedly guilty and who really has done something wrong. The result is not so much a critique of the Soviet system - or of totalitarianism - as a comment on the uncertainty of life, how little we know others or even ourselves.

Woven into the narrative are fascinating accounts of historical moments, seen through the eyes of ordinary Soviets, which gradually affect Aleksandr's mindset: losing to the Germans 3-0 at football in the 1972 European Championship final; Bobby Fischer beating Boris Spassky at the Reykjavik chess championships. When Aleksandr's KGB mentor, a man whom he considers to be as trustworthy and "pure" as himself, is targeted, his world implodes. Meanwhile, there are scenes of quiet, comic desperation from everyday Soviet life. The KGB officer supposed to be intercepting Lozovsky falls asleep at his post. In a communal flat, people find themselves involuntarily registering what their neighbours last had to eat and when they last smoked a cigarette.

This is an exciting and memorable read. Expertly researched, it feels authentic, but wears its learning reassuringly lightly. Anyone who appreciated Martin Amis's Koba the Dread and Orlando Figes's The Whisperers will love it, as will fans of The Lives of Others or Burnt by the Sun. As with both films, the theme of silent, regret-filled horror is beautifully, chillingly captured.

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guardian.co.uk Copyright (c) Guardian News and Media Limited. 2009

David Howell wins British Chess Championship - aged 18!

Leonard Barden
Saturday August 8 2009
The Guardian
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David Howell, 18, triumphed with an unbeaten 9/11, seven wins and four draws, in the British Championship at Torquay. The teenager from East Sussex is already the youngest ever UK grandmaster and is now the second youngest British champion after Michael Adams, who won the title at 17.

Howell rode his luck in some games, notably in round two when Mark Hebden missed an instant win, but overall his total was an impressive performance which suggests he can improve to join Adams and Nigel Short at the top of the game.

Howell first hit the headlines at the age of eight when he beat the grandmaster John Nunn in a speed game, a world age record. At nine, he became the youngest to qualify for the British Championship final tournament and three years later, he drew a speed game against the then world champion Vladimir Kramnik. He took his A levels early and has improved rapidly for the past year. In 2008 he was beaten in the final round of the world junior (U20) championship and he will try again for the title at Mar del Plata, Argentina, in October.

Today, Howell joins England's optimum team, led by Adams and Short, for a 10-round match against the Netherlands at Simpsons in the Strand, London. Play is every afternoon until 17 August and spectators can watch for free. The legendary Viktor Korchnoi, 78, competes in an individual event.

Below the game was complex but level until Black blundered by 21...Rd8? (Bb5+ 22 c4 Bc6) and had to resign three moves later faced with heavy material loss.

D Howell v R Palliser

1 d4 Nf6 2 Bg5 d5 3 Bxf6 gxf6 4 e3 c5 5 dxc5 e6 6 Nd2 Bxc5 7 g3 Nc6 8 Ne2 d4 9 exd4 Qd5 10 dxc5 Qxh1 11 Nc3 Qxh2 12 Nde4 O-O 13 Qd2 Rd8 14 Nxf6+ Kh8 15 Qg5 h6 16 Qg4 Qh1 17 Rd1 Rxd1+ 18 Nxd1 Bd7 19 Ne3 Ne5 20 Qf4 Nf3+ 21 Ke2 Rd8? 22 Bg2 Ng1+ 23 Kf1 Qh2 24 Nfg4 1-0

Lower down the table the rising Durham expert Jonathan Hawkins, 26, scored an IM result as he did in 2008. Here his sharp 12 Kf1 varies from 12 Bd2. Black should have tried 15...Bxd4 16 Nxd4 Nxd4 when the N stops the deadly Qf3. Black's Rd7? fell for mate when 19...Rf8 20 Bh6 Bd7 held out longer.

J Hawkins v S Sen

1 d4 Nf6 2 c4 g6 3 Nc3 d5 4 cxd5 Nxd5 5 e4 Nxc3 6 bxc3 Bg7 7 Bc4 c5 8 Be3 O-O 9 Ne2 Nc6 10 Rc1 cxd4 11 cxd4 Qa5+ 12 Kf1!? Qa3 13 Rc3 Qd6 14 h4 Rd8 15 h5 Nxd4? 16 Nxd4 Bxd4 17 hxg6 hxg6 18 Rd3 e5 19 Qf3 Rd7? 20 Bg5 Kg7 21 Qh3 1-0

3099 1...Rf4! 2 Rxc7 Qh6! and White resigned due to 3 Rxd7 Rh4 and Rxh2+.

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guardian.co.uk Copyright (c) Guardian News and Media Limited. 2009

Are you a fan of chess and New Orleans?

Matt Fullerty on Facebook

The Ballad of Paul Morphy!

Check out the video below, the Ballad of Paul Morphy, a strange and haunting tribute to the famous chess player!

"This video is a tribute to the great chess genius Paul Morphy (1837-1884). The accompanying song is in the style of the old parlor songs of the Stephen Foster era and is delivered by Anchor Méjans. Some images are taken from "public domain" films at Prelinger Archive."

I discovered this video on YouTube and was struck by the uncanny similarities - especially the lines "retreating into dreams was his release." Yes, we're definitely dealing with the same Morphy!
Here are the lyrics:

Paul Morphy lived his life in black and white
For him there was no gray
No wrong nor right
Just strategy
Nights and days -
Confined by notes in squares upon a page

No friends to adore
Only royals and pawns
And there was no way out of his sad fate
No there was no way out of his sad fate
Alas alas alas for him -
checkmate

Paul Morphy wanted peace
But peace was scarce
Retreating into dreams was his release
Paul Morphy lived his life in black and white
For him there was no gray
No wrong nor right

No friends to adore
Only royals and pawns
And there was no way out of his sad fate
No there was no way out of his sad fate
Alas alas alas for him -
checkmate

Sing along!

Life of Paul Morphy!

You can read more about Morphy's life in my novel The Pride and the Sorrow.

The Knight of New Orleans - world chess in the crescent city!

The Knight of New Orleans on Facebook

Matt Fullerty - author fan site!

Matt Fullerty on Facebook

Faulkner-Wisdom Competition - I am "Almost Finalist"!

I'm pleased to say The Pride and the Sorrow is an "Almost Finalist" in the 2008 Faulkner- Wisdom Competition. The competition is run by the Pirate's Alley Faulkner Society, and was judged by former Random House VP, Michael Murphy.

Thanks Faulkner Society!

Chess Gladiator - those who are about to die, salute you!

Dear England, after a long wait the World Chess Championship began on October 14th between chess titans Viswanathan Anand of India and Vladimir Kramnik of Russia. Even to non-believers, chess never got so exciting! And that's saying something. The website is http://www.uep-chess.com/cms_english where previously played games are free to watch, and you can pay to watch the games live - if you have time!

In the meantime, check out the above image which allows you to play chess for real money against other competitors, and you can decide your own level of ability and risk. See http://www.chessgladiator.com/ or click on the above gladiator pic!

Let the best Paul Morphy win!

Matt wins Unpublished Novel Competition!

Bookhabit.com is pleased to announce the winner of the inaugural Bookhabit Unpublished Competition is Matt Fullerty's The Pride and the Sorrow. Matt receives a US$5000 prize and is "thrilled" about winning the first Bookhabit competition. We will be posting an interview with Matt on Bookhabit.com shortly. Congratulations from Bookhabit! You can see full details with an endorsement of the novel at http://www.bookhabit.com/newsdetail.php?nid=48

The Pride and the Sorrow is the story of Paul Morphy (1837-1884), born in New Orleans as a chess prodigy, his famous journey through Europe and his ultimate downfall on and off the chessboard. He is celebrated in fashionable European society, honored by Napoleon III of France and Queen Victoria of England and returns to New Orleans a local celebrity, only to find Civil War looming, a storm brewing in his family and his own mind coming apart ...

The novel itself is available at http://bookhabit.com/book_details.php?book_id=459

Novel's first interview - thanks Clare!

A 23-minute interview with Matt is now available through http://www.reviewyak.com/ with Clare Tanner of the Bookhabit Show. "Every month over 20,000 listeners download our podcasts for The Bookhabit Show where we tell the author's story behind the story."